Paradise lost – on the beach
Pinchgut Opera melds the Old Testament with Aussie holiday tradition in a reimagined, psychologically driven staging of Scarlatti’s The First Murder.
Pinchgut Opera melds the Old Testament with Aussie holiday tradition in a reimagined, psychologically driven staging of Scarlatti’s The First Murder.
Your essential coast-to-coast guide to the Australian music being played on our concert stages this month.
The famed Swiss contemporary music group is about to make its Canberra International Music Festival and Australian debut. Serge Vuille and Antoine Françoise unpack the program.
Too often, creative workers rely on 'Dr Footlights' to get through the tough times. But Support Act is on hand when you need it.
This year, the Schubertiade Schwarzenberg Hohenems celebrates its 50th anniversary.
Lucas van Woerkum's new Symphonic Cinema project makes Holst's masterwork the engine of a bespoke film.
Log in to read the flipbook version of Limelight's May 2026 magazine.
Two-time Grammy Award winner Sara Bareilles talks about her musical Waitress, returning to songwriting and finding meaning in loss.
Obsessed with The Drover’s Wife as a child, Leah Purcell has adapted it as a play, novel and film. Then composer George Palmer asked if she would collaborate on an opera.
Sheridan Harbridge is reclaiming female history on Australian stages through her work as a playwright, actor, singer and director.
The University of Sydney recently acquired a collection of first editions of works by Mozart and Beethoven. Why are they so important?
After directing Wagner’s Ring Cycle in Hannover, Barrie Kosky vowed he would never tackle it again. Then The Royal Ballet & Opera called.
Hot on the heels of this month’s Remix Tour Live, Suzy Izzard is bringing her one-woman version of Shakespeare’s tragedy to Australia.