Read the April 2024 issue of Limelight
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We're seeing more disability on our stages and screens than a decade ago, but there is still plenty to be done.
Now 87, Steve Reich is busier than ever. We talk with the legendary American composer about his six-decade, pioneering career.
Elgar became England’s leading composer almost overnight following the premiere of his Enigma Variations. What is the so-called Enigma?
Annabel Crabb and Leigh Sales are all set to collaborate with Richard Tognetti and the Australian Chamber Orchestra. We get the low-down.
ANAM’s Head of Percussion explains how the instruments were chosen for a concert featuring music by Mozart and Ligeti.
Opera director Greg Eldridge calls for us to put the 'nonsensical' term to bed.
Broadway superstar Audra McDonald explains why she studied at Juilliard, why she's a “truth-seeking missile” and why her favourite roles are offstage.
Classical music has been a lifelong passion of the veteran actor. He reveals how a chance invitation shaped his taste in music forever.
Elizabeth Jigalin and Oliver John Cameron discuss their new site-specific work Sonant Traces, which has its world premiere at Sydney’s White Bay Power Station this month.
The first grand opera in Arabic opens in Saudi Arabia this month. Australian composer Lee Bradshaw tells us how he came to write the score.
This month, Guy Noble relives the magic of seeing two musical geniuses perform live.
An enthralling Vivaldi survey is our Recording of the Month, alongside dynamic new releases from Lang Lang, Piotr Anderszewski and Sir Simon Rattle.