This month we are in vocal heaven with period instrument Rodgers & Hammerstein, Shakespearean song, an operatic take on Wuthering Heights, and a resurrected Parsifal.

Sydney Opera House CEO Louise Herron reveals she often cries in concerts and practises the cello every morning before work.

Born in America and based in Sydney, Riley Lee was the first non-Japanese person to attain the rank of Grand Master of the Japanese bamboo flute.

Curator Jonathan Wilson explains his ideas for Volume, a new festival at the Art Gallery of New South Wales.

American tenor David Miller discusses returning to Australia with Il Divo for the first time since the death of baritone Carlos Marín.

Sir James MacMillan’s Stabat Mater has its Australian premiere this month. Here, the composer discusses its text, his faith and why composing is a compulsion.

We're at the midpoint for our 2023 Artists of the Year campaign, with two new playlists spanning the musical highlights of our exceptional Australian and international nominees.

Ahead of his staging of Venus & Adonis, director Damien Ryan explores the influence of a remarkable talent on William Shakespeare.

Epic adventures like Starfield are drawing people to symphonic music like never before. It's time to take video game music seriously.

Julia Russoniello's research offers a rare insight into what violin performances may have sounded like in the concert halls of Sydney a century ago.

Violinist Semra Lee and composer Emma Jayakumar discuss Darlington Chamber Music's 20th year, marked with a gala concert and a world premiere.

Paul Dean discusses the new work he has composed for Four Winds, to be performed by students and seasoned professionals: a threnody for pigs.