The Orpheus and Eurydice story has fascinated opera-makers for centuries. Now, three of the greatest versions of the tale are about to collide.

Ahead of the Sydney premiere of her latest show, Cry Baby, choreographer Kimberley Parkin shares the music that is rocking her world.

The time has never felt more right to re-examine a Theatre of the Absurd classic, says director Gale Edwards.

Close collaborators Elena Kats-Chernin and Tamara-Anna Cislowska pay heartfelt homage to Australia’s rich migrant history in Human Waves.

Oppenheimer has an epic, layered soundtrack – but its real power is in the silence.

Cameron Lam’s Australian Art Music monthly playlist explores a fresh crop of new and recent releases across Classical, Jazz and Sound Art.

This year's Australian Chamber Music Festival was a truly immersive event, reports Clinton White. Swimming togs were a must.

The Danish String Quartet violinist explains how the Prism series has been a rite of passage.

Australian Haydn Ensemble's latest tour reveals the telling detail in works we've become used to experiencing at scale.

The Australian Romantic & Classical Orchestra celebrates its first 10 years with its most ambitious touring project to date.

Swedish composer Ludwig Göransson has emerged through the fog of cinematic war as one of the biggest names in film music this year.

Inspired by the big screen release of Chevalier, Limelight trawls the streamers and DVD shelves for the best cinematic explorations of the lives of classical music greats.