Written when Shakespeare was on a roll, As You Like It is the play that keeps on giving. And director Damien Ryan should know.

The violist talks about the world premiere of his new work for Blackheath Chamber Music Festival and his first steps in writing for the voice.

Salut! Baroque's Sally Melhuish explains how competition and rivalry became a catalyst for creativity in English music.

An ambitious work new for orchestra, massed choirs and a single actor, Tides of Longing explores the refugee experience in a new way.

Leah Broad's new book titled Quartet boldly claims that four women changed the musical world. But did they?

A wide-ranging program perfectly in tune with its gorgeous natural surroundings made for a breathtaking Festival that even won over the weather.

Cameron Lam goes big and bold in this month's Australian Art Music playlist, exploring major works for wind symphony, orchestra, big band, and the stage.

Driftwood, the feel-good Australian musical with a profound message, is revived and touring. Next stop New York City?

London-based Australian soprano Helena Dix talks about overcoming her fears and sitting for a portrait entered into this year's Archibald Prize.

You only have to look at a map to see that Jimbour House is a long way from your typical opera venue.

The baroque violinist explains how choreography inspired her new recording of Biber's Rosary Sonatas.

The authors of a new report take a pulse check of the theatre sector's response to climate change and ecological sustainability.