Renée Fleming welcomes more Hours at the Met
As The Hours arrives in cinemas, its co-star Renée Fleming speaks to Limelight about the making of the opera and why it is "crucial" to stage new work.
As The Hours arrives in cinemas, its co-star Renée Fleming speaks to Limelight about the making of the opera and why it is "crucial" to stage new work.
Europa! Europa returns to Australia for its second year with a festival of 29 films from 24 countries.
The whole world is talking about TÁR. It’s time for Australian orchestras to join the conversation on gender, the canon and conducting.
Conductor Natalie Murray Beale talks to Limelight about teaching Cate Blanchett to wield the baton in TÁR and the film's potential to provoke.
The four composers of the MSO's Cybec Young Composers program discuss their new orchestral commissions, and what the program means to them.
Ensemble Offspring's Avant Gardens series takes musicians and their audiences out of the recital hall and into suburban backyards.
Anthony Weigh's play breathes imaginative life into the story of Sunday Reed and the Heide circle.
The new Artistic Director for this year's 3MBS Marathon talks about her program, bringing the rich diversity of Melbourne music to the stage.
Cameron Lam begins 2023 with a playlist of Australian music about fire, from campfires to bushfires to dying embers.
Playwright Andrew Bovell talks about his role in shaping Darkness, an immersive experience inspired by the year when summer never came.
The former dancer is on a hot streak as a choreographer and director, with two nominations at the Sydney Theatre Awards and two shows about to open.
Christie Whelan Browne and writer/director Dean Bryant discuss their darkly funny look at the world of musical theatre performers.
Mythology, sexuality and even gravity are up for re-examination in Holding Achilles, a production which has taken its makers in new and demanding directions.