The Artistic Director of The Little Red Company unwraps Christmas Actually, created with her company co-founder Adam Brunes.

This month’s performance highlights from ABC Classic, independent radio and streaming.

The latest arts appointments and departures.

The great Australian pianist on returning to his Chatswood roots and a lifetime of experience.

Hugh Robertson, the Orchestra’s Editorial Manager and former Limelight Deputy Editor, reveals what he is most looking forward to next year.

Julian Day reports on the longest, and probably the loudest, noise set they have ever heard by experimental musician Marco Fusinato, who is representing Australia at the Venice Biennale.

Composers Matthew Hindson and Novak Manojlovic discuss how growing up in Wollongong has shaped their music, and describe their new works, commissioned for WollCon's anniversary.

Cameron Lam explores the latest online releases and re-releases in this month's Australian Art Music playlist.

In an interview with Limelight, the Met's General Manager Peter Gelb discussed soprano Anna Netrebko and why she and the Met have parted ways. Netrebko's General Manager responds here to certain statements in the article.

The Met's General Manager on season details, the slow return of audiences, new music that does "the shocking thing of pleasing audiences" and the Netrebko dilemma.

Sydney Chamber Choir’s Artistic Director is a devotee of German classical music. He digs deep into the work of Bach and his compatriots as he prepares for the Choir’s exploration of the German baroque.

Leah Curtis introduces her work Infinite Possibilities, which maps and illuminates new sound worlds, ahead of its world premiere by Canberra Symphony Orchestra.