Ahead of their 10th Australian tour, the Tallis Scholars founder illuminates the murky world of Renaissance art and politics.

Following masterclasses at an intensive five-day music camp, the students of the Western Sydney Philharmonic presented their first orchestral concert, performing alongside their professional teachers.

Artistic Director, Australian-Swiss flautist Bridget Bolliger, discusses the program for this year's Sydney Chamber Music Festival after two years of uncertainty.

Musicians often find Symonds' music technically difficult to play, but from the first rehearsal, he saw that the ASQ had taken his score "by the scruff of the neck" and that he had no need to worry.

Bertrand Chamayou talks to Clive Paget about a nine-year-old’s encounter with modern music and how to make bells sound like bells.

Lynden Barber celebrates a film about a child made for adults, and a new BBC series starring Nicola Walker and Sean Bean.

Musical theatre star Michael Ball discusses performing in Do You Hear the People Sing?, his new album with Alfie Boe, and his debut novel.

The hilarious new video game Trombone Champ will have you sliding from Mozart to merengue.

25 years ago, Dean Bryant picked up a copy of Larry Kramer's play The Normal Heart, about the AIDS crisis. He has longed to direct a production ever since. Finally, it's happening in Adelaide. He tells us what the play means to him.

Ahead of High Score 2022, composer Jeff van Dyck and orchestrator Nathan Cummins reveal the treasures they uncovered while recording the soundtrack for Submerged: Hidden Depths.

Festival Director Ian Cleworth discusses the inaugural BOOM! International Festival of Percussion, which celebrates percussive beats across the spectrum from cutting-edge art music to Afro-Latin.

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