After making history at New York’s Juilliard School, the award-winning guitar duo is back in Australia with the launch of a new album.

As he prepares for Sydney Symphony Orchestra’s upcoming People’s Choice and Fidelio concerts, Concertmaster Andrew Haveron talks to us about exploring new territory in the world of opera.

Neuromusical educator Dr Anita Collins explains what happens in the brain when we listen to music, and how fireworks really explode when we play an instrument or sing together.

How cultural rituals have helped humans deal with death.

While live performance is returning, travel restrictions due to the coronavirus pandemic mean virtually no international artists will tour here. Will we seize the chance to create a greater space for Indigenous, female and ethnically diverse voices to speak to us about Australia today?

Sir Andrew Davis, Alondra de la Parra and David Robertson are about to conduct their final concerts as artistic chiefs of the Melbourne, Queensland and Sydney Symphony Orchestras respectively. Here’s a look back on their time Down Under.

The Sydney Symphony Orchestra's Chief Conductor tells us about recording the orchestra's new Westlake and Reich disc, Limelight's Recording of the Month in May.

A new touring exhibition surveys the last decade of the unabashedly political artist's work.

Five dynasties make the journey from London to Bendigo this March in an exhibition about royal portraiture.

The minimalist icon has spent 30 years avoiding the potential pitfalls of orchestral performance, so why break the habit now? Clive Paget visits the composer in his rural retreat to get the lowdown.

Percy Grainger's wildly colourful The Warriors is the only long-form work by a composer best known for his miniatures. Conductor David Robertson and musicologist Malcolm Gillies help us get to the bottom of the Australian composer's attempt to 'do a Stravinsky'.

Korngold may have been the greatest prodigy that ever lived, but people could be sniffy. Renaud Capuçon and David Robertson discuss his late Violin Concerto to help us understand the Viennese wunderkind and why he had little choice about going to the movies.