Rachel Weisz makes for an intractable UN Peacekeeper in this earnestly well-meaning drama about human trafficking. 

In this brisk and handsomely mounted tragi-comedy Charlotte Rampling plays an eccentric and controlling matriarch.

Lifelong female friendship is the subject of this lush weepie, in which a pair of interlinked tales unfold in two timeframes.

Unabashedly autobiographical, Beginners bumbles through the life of lovelorn graphic designer.

An aging French conjuror, finding himself out of step in a raucous new era, travels to London in search of an audience.

How to make Jane Eyre fresh again?

Whittled down from its original form as a miniseries, The Trip has been trimmed of its foodie flavour in favour of a focus on Coogan’s midlife crisis.

Wim Wenders has approached the new medium as a chance to rethink cinema’s possibilities.

Languid, reverent shots of nature shimmering at magic hour – Terrence Malick is back.

It’s easy to see why Julia Leigh’s Sleeping Beauty was invited into the Cannes film festival’s prestigious official competition.

A compassionate and deeply moving account of a controversial period in British and Australian history.

This film has real heart, buoyed by surprisingly strong performances from a mostly inexperienced cast.