Features

British pianist Paul Lewis on playing Beethoven and Mozart’s piano sonatas.

by Clive Paget

An inside look at Australia’s orchestral fellowships.

by Emily Thornton

Australia’s new and refurbished performance venues, and the closures.

by Jo Litson

The Australian composers riding high at Musikfest Berlin, and what it means.

by Breandáin O'Shea

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Soundings

Interview

As he puts his finishing touches to his new Flute Concerto, Joe Chindamo shares how he has translated Dorothy Parker’s cynicism into music.

by Jansson J. Antmann

Type

This month features David Greco and Erin Helyard’s latest Schubertiad, orchestral works by de Falla, McCabe and a whole host of Ukrainians.

by Clive Paget

Cutting Edge

A video of Chloe Kim’s ambitious project, Music for 50 Musicians, will receive its premiere screening in Sydney next month. She tells us about the work.

by Maddy Briggs

Opera

Laura Hansford talks about her new production of Bizet’s Carmen for State Opera South Australia, in which Don José is seen to fail as a human being rather than its heroine.

by Ceridwen Spark

Classical Music

Virtuoso British-Australian organist Joseph Nolan discusses recording the complete organ works of Charles-Valentin Alkan.

by Joseph Nolan

Books

★★★★ What Mao’s Last Dancer did next.

by Diana Simmonds

Film

★★★½ In this D-Day war drama, director Anthony Maras forges a connection with the present.

by Jason Blake

In the Limelight

A round-up of our recent news reports.

The latest arts appointments and departures.

The buzz around live performance.

Radio and streaming concert highlights.

Coda

Guy Noble's Soapbox

If you are creating something, Guy Noble recommends you don’t show an early draft to anyone for feedback. They may say it’s terrible, and they could be right – or wrong, as Tchaikovsky discovered.

Playing Up

The 1762 Stradivari cello turns 300 this year. Steven Isserlis, who has had it on loan since 2009, tells us why his life would lose all meaning if he had to return it.

World Premiere

James Ledger discusses his new Clarinet Concerto, composed especially for Perth-based musician Ashley Smith and commissioned by the West Australian Symphony Orchestra.

5 Questions For

The Assistant Artistic Director and Manager of the Australian Chamber Choir discusses the many emotions behind the choir’s Encores 2026 concert and accompanying album.

My Music

After working at Opera Australia for 19 years before becoming Director of Canberra Theatre Centre in 2019, Budd returned to OA as CEO in 2025. He believes music is a vital part of life.

Playlists

Staff and Contributors

Managing Editor
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Print Editor
Jo Litson

Digital Editor
Jason Blake

Designer
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Editor-­at-­Large
Clive Paget

Staff Writer
Maddy Briggs

Contributors
Update list

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