Features
British pianist Paul Lewis on playing Beethoven and Mozart’s piano sonatas.
by Clive Paget
The Australian composers riding high at Musikfest Berlin, and what it means.
by Breandáin O'Shea
Unlock exclusive access to Limelight‘s premium reviews, insights and stories with a subscription today.
Subscribe, renew or gift an annual Limelight print and digital subscription by 18 October and you could win a 2026/27 Palace Opera & Ballet cinema season pass. One lucky winner and their guest will enjoy a prime seat to 24 new productions from Europe’s finest opera houses, with performances from The Royal Ballet and Opera, Teatro alla Scala and Opéra national de Paris. Captured live on stage, they are presented in select cinemas across Australia.
- Best Value: Print + Digital
Save up to 50% on print editions, plus free digital access and delivery straight to your door.
- Digital Access
Get unlimited paywalled content from just $4/month – no barriers to the arts and culture you love.
Soundings
Interview
As he puts his finishing touches to his new Flute Concerto, Joe Chindamo shares how he has translated Dorothy Parker’s cynicism into music.
by Jansson J. Antmann
Type
This month features David Greco and Erin Helyard’s latest Schubertiad, orchestral works by de Falla, McCabe and a whole host of Ukrainians.
by Clive Paget
Cutting Edge
A video of Chloe Kim’s ambitious project, Music for 50 Musicians, will receive its premiere screening in Sydney next month. She tells us about the work.
by Maddy Briggs
Opera
Laura Hansford talks about her new production of Bizet’s Carmen for State Opera South Australia, in which Don José is seen to fail as a human being rather than its heroine.
by Ceridwen Spark
Classical Music
Virtuoso British-Australian organist Joseph Nolan discusses recording the complete organ works of Charles-Valentin Alkan.
by Joseph Nolan
Film
★★★½ In this D-Day war drama, director Anthony Maras forges a connection with the present.
by Jason Blake
In the Limelight
Coda
Guy Noble's Soapbox
If you are creating something, Guy Noble recommends you don’t show an early draft to anyone for feedback. They may say it’s terrible, and they could be right – or wrong, as Tchaikovsky discovered.
Playing Up
The 1762 Stradivari cello turns 300 this year. Steven Isserlis, who has had it on loan since 2009, tells us why his life would lose all meaning if he had to return it.
World Premiere
James Ledger discusses his new Clarinet Concerto, composed especially for Perth-based musician Ashley Smith and commissioned by the West Australian Symphony Orchestra.
5 Questions For
The Assistant Artistic Director and Manager of the Australian Chamber Choir discusses the many emotions behind the choir’s Encores 2026 concert and accompanying album.
My Music
After working at Opera Australia for 19 years before becoming Director of Canberra Theatre Centre in 2019, Budd returned to OA as CEO in 2025. He believes music is a vital part of life.
Playlists
Staff and Contributors
Managing Editor
Cara Anderson
Print Editor
Jo Litson
Digital Editor
Jason Blake
Designer
Tristan Main
Editor-at-Large
Clive Paget
Staff Writer
Maddy Briggs
Contributors
Update list
Publisher
Limelight Arts Media Pty Ltd
Chief Executive Officer
Cara Anderson
Sales Manager
Carla Bird
Subscriptions and Marketing Manager
Megan Staal
Operations & Sales Coordinator
Celine Widjaya
For advertising enquiries contact (02) 8599 4205 or advertising@limelight-arts.com.au
Limelight Subscriptions
Click here or phone (02) 8227 6486 weekdays, 9am–5pm NSW
Limelight Offices
Suite 606 Level 6, 84 Pitt Street
Sydney NSW 2000
(02) 8599 4204
Printing
Printed in Australia by IVE
Limelight is published by Limelight Arts Media Pty Ltd (ABN 34 624 578 801)
© 2026 Limelight Arts Media
No material may be reproduced without prior written permission of the publisher