A masterful performance of Verdi’s choral masterpiece set the bar high early and kept it there for the duration.

Alexander Briger’s Australian World Orchestra “embrace everything” in a rare Mahler double bill.

Created by Alice Topp, Butterfly Effect is a work that leaves you longing to experience it again.

Noni Hazlehurst brings Daniel Keene’s retired publican to life in a play that’s greater than the sum of its minimal parts.

Bohème again – but this staging slays with stunning performances and design.

Black Swan's production unearths the subterranean strangeness beneath the play's onstage debates about infidelity and morality.

One for the ages as Simone Young and the SSO track Richard Strauss’s musical journey.

Spanning Generations X to Z, this Bridge proves too flimsy to carry us all the way across.

Shenyang Conservatory of Music showcase of largely patriotic but musically powerful programming.

Killing off a beloved fictional character is not as easy as it seems in this delightful, nostalgia-fuelled dramedy by Melanie Tait.

The Sydney Fringe Festival gets off to a cracking start with a sleek, elegant work celebrating bodies, light and space.

Double delight as two international sensations – conductor Dmitry Matvienko and violinist Aiko Suwanai – make their Sydney debuts.