Review: Kaitlyn Aurelia Smith: Call to the Morning (Sydney Festival)
Delivering an engaging and bold set for a slowly-waking Sydney, the American composer served up more than the marketing copy promised.
Delivering an engaging and bold set for a slowly-waking Sydney, the American composer served up more than the marketing copy promised.
Do not blink, do not miss a second of this extraordinary trip into the unruly labyrinthine of its creator’s mind.
Daniel Riley's Tracker is a profound work that deftly transports the audience onto Country through the power of storytelling.
A cleverly-programmed delve into Louis Andreissen soared to gorgeous minimalistic highs, despite distracting technical issues on the night.
A spirit of friendship, openness and innovation fuelled Inventi Ensemble's exploration of the many colours of music.
Stunning, bonding and thoughtful, this immersive eight-hour experience reaches out to the world beyond its four walls.
A retro rock-pop setting delivers lots of laughs and delightful music under the stars.
With striking field recordings, lighting and live performance, Speak Percussion takes us on a trepidatious, yet stunning expedition through the wild wonder of Antarctica.
In its quiet, gentle way, Sun & Sea is a work of genius that will linger long in the memory.
Powerhouse performances by baritone Andrei Kymach and bass-baritone Yuri Kissin deliver a solid start to Opera Australia's 2023 season.
Mary Finsterer's heart-stoppingly beautiful new opera is endlessly absorbing, sonically and visually.
Amadeus, Peter Shaffer’s best-known play, rings loudly and clearly in this new production that kicks off the Sydney Opera House’s 50th year. Loud and clear, but hollow.
Having a conductor of the standing of Brett Weymark, lifted the performance of the amateur musicians to fresh heights, with an outpouring of delight from the audience.