A concert combining vibrant orchestral colour with thoughtful reflection, featuring an outstanding performance from Canadian violinist James Ehnes.

Going to Cockatoo Island is a fun part of the experience, but despite solid performances, the production doesn't entirely live up to the industrial setting.

Internationally renowned organist Joseph Nolan joins WASO for a blistering assault on music by Barber and Saint-Saëns, with Asher Fisch also leading a gorgeous account of Respighi's The Fountains of Rome.

Superb performances by two last-minute jump-ins, their fellow cast members, Sydney Philharmonia Choirs and the SSO under Simone Young make the most of Beethoven’s troubled piece.

This excellent orchestral program from Camerata offered two sublime works by Mozart in the final concert of its 2022 season.

Prohibition-era shenanigans, set to Gershwin songs, get an outrageously entertaining treatment from a crack cast.

Although spectacular and filled with the amusing antics of its characters, this staging of Shakespeare's final play cannot overcome the inherent shortcomings of its writing.

This bliss bomb of feel-good fun, fantasy and flair is the best disco in town.

The Song Company delivers superb performances all round in this expert interpretation of Renaissance polyphony and related modern works.

This heartwarming adaptation makes its Australian debut with David Wenham as Scrooge.

This new production set in Perth, with choreography by Krzysztof Pastor and vital input from Barry McGuire and other Noongar artists, has been triumphantly realised.

QSO Principal Double Bassist Phoebe Russell proved mighty indeed as the soloist in Paul Dean’s sparkling new Concerto for Double Bass and Orchestra.