While the play would have fared better in a smaller venue, it's a smartly written, intelligent, well-performed piece about fact, fiction and the concept of "truth".

Nature or nurture? The elite Bach group explores the shaping of the musical genius in a program including works by his contemporaries and a superb performance by countertenor Russell Harcourt.

A mixed program of contemporary works, carried by an exhilarating Australian premiere from New York choreographer Justin Peck.

This incredibly satisfying program, featuring two world premieres, is dense but good-natured and fondly curated by an intelligent, forward-thinking ensemble.

Donald Runnicles leads the SSO in a stunning Sydney debut by Grammy-winning violinist Augustin Hadelich, and a moving homage to the Queen.

In this must-see concert, Finnish piano virtuoso and composer Olli Mustonen leads members of the ACO in a gloriously kaleidoscopic display of musical colour and wit.

Some have suggested John Adams' new opera is too conventional, but Clive Paget disagrees, finding that age cannot wither the composer as he takes on Shakespeare's Egyptian dish.

This double bill featuring an opera by Poulenc and a new Australian work, conceived by Ali McGregor with a score by Connor D'Netto, is captivating, intelligent, theatrical and emotional.

Celebrating 70 years of music-making, the program featured two world premieres by composers Ella Macens and Michael Dooley celebrating the art of singing and Canberra's natural diversity.

Eric Whitacre's writing for voice is deft, while the words are unremittingly touching in this moving piece about love, death, anger and grief.

With the MSO under Maestro Benjamin Northey, violinist Emily Sun gave a performance of Korngold's Violin Concerto that warrants recording, as does the orchestra's rendition of Hyde's Village Fair.

Combing artistry and stamina, New Zealand choreographer Douglas Wright's masterpiece of contemporary dance is made all the more magical by a glorious live musical accompaniment.