This 70th-anniversary production, directed by Robyn Nevin, respects the period and style of the play, and has been exceptionally well cast. Old-fashioned it may be, but it's highly entertaining.
After a 20-year absence from our stages, John Cranko’s classic still packs an emotional punch, showcasing its principal dancers to Sergei Prokofiev’s monumental score.
Under Finnish conductor Pietari Inkinen, WASO delivers a riveting Sibelius, some terrific Wagner and an evocative world premiere by Elena Kats-Chernin.
Four decades since its premiere, Larry Kramer's pioneering play is still beating strong in this powerful revival directed by Dean Bryant.
Two recent chamber operas exploring difficult subjects make their Australian premieres.
Drawing upon his instincts as a composing musician, the Finnish piano virtuoso gives a masterful reading of Beethoven and Bach at Adelaide's UKARIA Cultural Centre.
This terrific, newly commissioned opera for children by Emma Jayakumar shows how far WA Opera has travelled in recent years under Artistic Director Chris van Tuinen.
Despite exquisite vocal and musical performances, this staging of Benjamin Britten's Canticles is less than the sum of its otherwise beautiful parts, landing somewhere between performance art and oratorio.
The vivacious concert brought together many of Sydney's leading percussionists in a program that celebrated successive generations of Synergy, Taikoz and their offshoots.
Robert Carsen’s chilling update ditches pyramids for resonances of modern warfare. Catch his ROH production when it screens in Australian cinemas in November.
If you love the musicals of Boublil and Schönberg, this concert is a real treat, with an impressive lineup of soloists nailing the songs and sharing stories about their connections to the roles.
Virginia Gay’s adaptation of the French classic is truly, madly, deeply modern.
Queensland Ballet yet again delivers a MacMillan classic with aplomb, and in the process two young leads soar to become company stars.
