Review: Are we not drawn onward to new erA (Ontroerend Goed/Sydney Festival)
Ontroerend Goed's palindromic performance suggests that Paradise can be regained – but it will take more than a reversal of the damage already done.
Ontroerend Goed's palindromic performance suggests that Paradise can be regained – but it will take more than a reversal of the damage already done.
Neil Gaiman and FourPlay String Quartet take us to a place where imagination and music collide in an oddly satisfying way.
In its valiant attempt to bring a much-loved novel to life, Tiddas also reveals the challenges inherent in translating books to the stage.
Riffs and ragas and memories of Ravi as Anoushka Shankar makes a joyous return, backed by a scintillating quartet of superb musicians.
This starkly beautiful production, performed by circus artists alongside the singers, feels fresh, modern and exciting.
A crack cast of women animates the little known story of the women telephonists co-opted into the US war effort in 1917.
Struggling to find the right form to tell its story, this cabaret-vaudeville about Nellie Small leaves us wondering who she was and why they sent for her.
Constantine Costi’s outdoor staging of Puccini’s thriller looks beyond the Grand-Guinol and gives its heroine a fresh makeover.
A cast of rising stars and veteran talents deliver an entertaining, sometimes inspired new production of this nostalgic, feel-good musical.
Bananaland has a strong message, powerful moments, a sensational central performance – and room for development.
The Sydney Festival gets off to a life-enhancing start with a work celebrating the wonder and resilience of the human spirit.
This is the perfect variety show for audiences wanting a sexy, fun night out on a summer's evening.
To witness Anna-Louise Cole's debut as Brünnhilde was something special – as was Chen Shi-Zheng's dazzling production.