Review: First, Do No Harm (NIDA, bAKEHOUSE & Talia M-K Presents)
Grace Malouf's provocative new play explores bodily autonomy, medical ethics and the limits of parental love.
Grace Malouf's provocative new play explores bodily autonomy, medical ethics and the limits of parental love.
Time flies in this charming, absorbing, dreamlike spectacular.
Setting the stage for Queensland’s emerging musical talent.
Middle-aged women are manipulated by the nip-and-tuck industry in this satire, but it’s the jokes that should get some work done.
Cellist Ivan Karizna – playing an instrument that once belonged to Paul Tortelier – is both songster and storyteller in his WASO debut.
This triple bill lives up to its name with driving force and exceptional performance.
The British masters of vocal music and Melbourne's high-flying youth choir present a polished, uplifting program.
A clever Jane Austen reinterpretation with laughs and karaoke, this West End hit finally makes its Australian debut.
Deft choices do justice to Brahms’ very “human” requiem. What more could one ask for?
Skilfull direction and performances light up an odd-couple comedy about chalk-and-cheese housemates.
German cello star Maximilian Hornung’s Australian debut solo recital captures the spirit of Casals.
A vitally important showcase of women composers fills a gap in music presentation.
Over-hasty storytelling mars this ballet version of Shakespeare’s tragedy.