QTC’s raucous regency romp takes another turn about the room.

Fine performances illuminate contrasting sacred settings, though the program struggles to sustain dramatic purpose.

Natalie Chee, Kathryn Selby and Richard Narroway make a superb trio in which no individual dominates.

"Naked" clarinet maestro Alexander Morris shows us two sides of the Gloom Tube.

Frogs, birds, bells and whistles as Omega Ensemble premieres Paul Stanhope’s flying circus.

It's creepy, kooky and brilliantly spooky – an ingenious staging in this intimate venue breathes fresh life into a gleefully macabre world.

A Kiwi company explores heartbreak through a quirky, clever patchwork of drama, wry humour, music and science.

An infectiously energetic reminder that children's theatre doesn't need bigger sets, louder effects or more tech – it needs imagination.

Inspired by the disappearance of a real estate agent, playwright Martin Crimp opens Thatcher-era free market values for inspection.

Violinist Leila Josefowicz and pianist John Novacek reunite in an extraordinary tour de force.

Improvised? Yes. Chaotic? Anything but. BELIEVE's brand of spontaneous music unfolds with remarkable coherence.

A superb cathedral acoustic and four of the finest choirs deliver a stimulating evening of vocal pleasures.