Review: Turandot (Opera Australia & Sydney Festival)
In a triumphant homecoming, soprano Rebecca Nash reinvents Turandot for Ann Yee's centenary production.
In a triumphant homecoming, soprano Rebecca Nash reinvents Turandot for Ann Yee's centenary production.
In her debut cabaret show, Natalie Abbott delivers a moving meditation on love, loss, grief and trauma, while her sublime singing knocks you for six.
A revival of John Patrick Shanley’s bruising two-hander crackles with intensity and possibility.
Tomáš Kantor oozes talent and charisma in this cabaret one-hander about the misadventures of a novice sugar baby.
"It lives!" A vividly entertaining mashup of The Smiths and Mary Shelley lights up the Sydney Festival's cabaret room.
Ambition and autobiography collide powerfully at times, but indulgence blunts the work's emotional and political impact.
Adelaide’s contemporary circus troupe Gravity & Other Myths offers a glimpse of what it takes to achieve perfection in an awe-inspiring hour of power.
A darkly funny cult classic blooms with bite, blood and brilliant performances.
A frenzied, carefully crafted farce with an innovative set and slick cast champion the Cluedo legacy.
A tribute to Dharug culture is touching but uneven.
Hundreds surrender to the bliss of all-embracing dance, music and togetherness.
A recent little indie theatre hit about the hateful online “manosphere” returns, bigger but not better as the new, longer script dilutes this play’s impact.
This classy, respectful tribute to Stephen Sondheim is seamlessly staged and brilliantly performed by a top-notch cast.