Review: Dean, Don’t Dance! (Old Fitzroy Theatre)
Dance might not be his forte, but Dean Nash spins great stories about his quest to crack the musical theatre scene.
Dance might not be his forte, but Dean Nash spins great stories about his quest to crack the musical theatre scene.
Jazzman Phillip Johnston focusses on a rich and fascinating silent movie era older than Hollywood.
Heart and humour but Mama Does Derby has yet to find the balance between sporting chaos and theatrical order.
The third chapter in Davide Di Giovanni’s car-park series is a paragon of tactical urbanism and contemporary dance.
In a triumphant homecoming, soprano Rebecca Nash reinvents Turandot for Ann Yee's centenary production.
In her debut cabaret show, Natalie Abbott delivers a moving meditation on love, loss, grief and trauma, while her sublime singing knocks you for six.
A revival of John Patrick Shanley’s bruising two-hander crackles with intensity and possibility.
Tomáš Kantor oozes talent and charisma in this cabaret one-hander about the misadventures of a novice sugar baby.
"It lives!" A vividly entertaining mashup of The Smiths and Mary Shelley lights up the Sydney Festival's cabaret room.
Ambition and autobiography collide powerfully at times, but indulgence blunts the work's emotional and political impact.
Adelaide’s contemporary circus troupe Gravity & Other Myths offers a glimpse of what it takes to achieve perfection in an awe-inspiring hour of power.
A darkly funny cult classic blooms with bite, blood and brilliant performances.
A frenzied, carefully crafted farce with an innovative set and slick cast champion the Cluedo legacy.