UFO is not a play in which a lot actually happens. What makes it completely engaging is the way not a lot happens.

The Italian bass Ferruccio Furlanetto brings his signature expressiveness to songs and arias from a half-century on stage.

The Marais Project takes us on a spine-tingling journey through 400 years of music and leaves the audience begging for more.

The memorable premiere of a new musical landmark, Elena Kats-Chernin’s violin concerto, featuring a wondrous performance by violinist Emily Sun.

Peruvian conductor Miguel Harth-Bedoya wields the baton over a concert remarkable for its fire, finesse and furious percussion.

John Bell and Simon Tedeschi’s delightful portrait of Mozart is part recital, part cabaret and a must-see for anyone who wants to know the man behind the legend.

A short, sweet and informative voyage into deep space with Australian Baroque at the helm.

Damien Ryan’s As You Like It is a wonderfully absurd and entertaining night of Shakespeare, including new original music.

The third collaboration between WA Opera and UWA’s Conservatorium of Music, Oratorio is a startling resurrection of an “ugly duckling”.

Sincere and irreverent, this new musical transforms an enduring symbol of suffering into one of hope – and never lets the facts get in the way.

Roald Dahl’s story of a crafty fox outwitting a trio of grasping farmers gets the high-tech treatment from Brisbane's Shake & Stir.

Giselle’s juxtaposition of human frailty, supernatural retribution and redemptive love delivers everything you could ask for in a ballet.