Petrenko and WASO deliver a blistering, electric performance of Shostakovich's Symphony No 11, while Emily Sun brings some show-stopping technique to Mozart.

Star cellist Sheku Kanneh-Mason gives an impressive performance in his Australian debut, while a work by Anne Boyd proves the perfect concert-opener.

Simone Young leads the SSO and three-time Grammy Award-winning violinist Hilary Hahn in a triumphant program of Prokofiev, Tchaikovsky and a world premiere by Cathy Milliken.

Both intriguing and alienating, this experimental performance interrogates the self in the digital age.

Spanning nearly 400 years of music, this debut concert by Croissants and Whiskey heralds a new era in composition for the Baroque quartet.

This concert was a rare opportunity to hear three extraordinary Australian saxophonists at the top of their game, on one program.

Not even a change in program and line-up could detract from this evening of exceptional musicianship.

Lewis Treston's bold and sexy reworking of the 1895 classic takes audiences on a Wilde night out in 90s Canberra.

The transporting experience of Queensland Ballet’s eclectic Bespoke starts at the enthralling entrance to the company's new, revamped home.

SSO begins its 90th birthday celebrations with Mahler's Resurrection Symphony and a new commission by William Barton, as it reopens the SOH Concert Hall.

The success of this interdisciplinary concert series warrants its return in an expanded format.

KLASSIK underground's second concert created an immersive sound world through light and music by Ukrainian and Russian composers.