A suitably minimalist Australian premiere for the creator of Rent’s humble autobiographical show.

Inspired by the knotty interpersonal relationships of 19th century literary notables, Darkness is a dark and stormy night tale with a twist.

The ins and outs of Bach’s cello suites made for a fascinating and entertaining Bendigo Chamber Music Festival talking point.

Rudolf Koelman adds exuberance and intensity to a Fremantle Chamber Orchestra concert shaping up to be less than the sum of its parts.

A night around the old piano is transformed into a fully-fledged exploration of humanity, with Opera Australia's world-renowned chorus in the spotlight.

The return of Bangarra’s emerging choreographer program offers opportunities and mentorship for the next generation of Indigenous artists.

David Williamson's Family Values is great conversation starter, but too many ideas cloud the social commentary.

Now in its fourth year, the Bendigo Chamber Music Festival has established itself as an important date on the chamber music calendar.

Melanie Tait's new play offers pithy insights into workplace misogyny and the off-mike culture of talkback radio.

UK playwright Sabrina Mahfouz’s monologue Chef had its Sydney premiere on this stage a year ago. Second helpings are very much in order.

This deeply satisfying concert is evidence of an unpretentious commitment to making good music.

Lewis Treston’s sparkling, OTT, queer rom-com Hubris & Humiliation is a perfect piece of programming for WorldPride.