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Chamber, Classical Music, Festivals, Instrumental, Vocal & Choral
Live Review

Review: The Great Divide (Canberra International Music Festival)

This wide-ranging program perfectly reflects Canberra Festival's overarching theme, even if one did have to work to see the links.

May 4, 2022
Theatre
Live Review

Review: The Heartbreak Choir (Melbourne Theatre Company)

This funny, honest, heartwarming farewell by the late Aidan Fennessy celebrates togetherness through song.

May 3, 2022
Opera
Live Review

Review: The Rise and Fall of the City of Mahagonny (IOpera and Melbourne Opera)

Melbourne Opera and IOpera present a rollicking co-production of Kurt Weill's and Bertolt Brecht's rarely staged satirical three-act opera.

May 2, 2022
Classical Music, Festivals
Live Review

Review: Pier 2/3 Opening Festival (Australian Chamber Orchestra)

Open house as Australian Chamber Orchestra unveils its state-of-the-art new base.

May 2, 2022
Vocal & Choral
Live Review

Review: Tremors of Earth (The Song Company)

Antony Pitts leads The Song Company Apprentices through a stirring program of works from Antoine Brumel to Alice Chance.

May 2, 2022
Opera
Live Review

Review: The Turn of the Screw (State Opera South Australia)

Benjamin Britten's operatic adaption of Henry James' famous novella is presented with strong performances and magnificent, menacing stage design.

May 2, 2022
Festivals, Jazz
Live Review

Review: Audible Edge Festival of Sound 2022 (Tone List)

The fourth annual Audible Edge festival presents some of the most interesting sounds to reach Perth.

May 2, 2022
Classical Music, Orchestral
Live Review

Review: Mendelssohn’s Scottish Symphony (West Australian Symphony Orchestra)

This concert of well-loved classics spotlit WA talent, with clarinettist Ashley Smith receiving a rock-star reception from students in the audience, while the orchestra was in fine form.

May 2, 2022
Chamber, Classical Music, Festivals, Instrumental
Live Review

Review: While You Sleep (Sal Cooper and Kate Neal/Canberra International Music Festival)

The experience of While You Sleep is total, inescapable. It is mesmerising, perplexing, captivating and frustrating, just like a dream.

May 1, 2022
Dance
Live Review

Review: Kunstkamer (The Australian Ballet)

Kunstkamer is a masterpiece and this production by The Australian Ballet exceeds all expectations, proving a triumph for AD David Hallberg and the dancers.

May 1, 2022
Dance
Live Review

Review: Petrushka (Game, Set, Match) (Scott Elstermann)

Despite strong performances, this update of Nijinsky's 1911 ballet only reinforces that the racial and sexual politics of the original are best left in the past.

April 30, 2022
Classical Music, Festivals, Vocal & Choral
Live Review

Review: The Creation (Sydney Chamber Choir/Australian Haydn Ensemble)

Australia's first-ever period-instrument presentation of The Creation reveals the fresh vitality and range of colours in Haydn’s score.

April 30, 2022
Theatre
Live Review

Review: Prima Facie (Harold Pinter Theatre)

Jodie Comer is riveting in the West End debut of Suzie Miller's bracing one-woman #MeToo monologue.

April 29, 2022

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