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Theatre
Live Review

Review: Prima Facie (Harold Pinter Theatre)

Jodie Comer is riveting in the West End debut of Suzie Miller's bracing one-woman #MeToo monologue.

April 29, 2022
Opera
Live Review

Review: The Marriage of Figaro (The Cooperative)

The Cooperative's no-frills Figaro gives the audience the opportunity to focus on musicianship and a libretto that is as relevant today as it was when it was written.

April 29, 2022
Theatre
Live Review

Review: Much Ado About Nothing (Izabella Louk Presents)

A merry band of young theatremakers breathes new joy into one of Shakespeare's zippiest comedies.

April 29, 2022
Chamber, Classical Music
Live Review

Review: Borderlands (Van Diemen’s Band, Musica Viva Australia)

An inspired exercise in musical curation, expertly delivered.

April 29, 2022
Classical Music
Live Review

Review: Mozart’s Clarinet (Australian Brandenburg Orchestra)

Cracked clarinet was an ill wind that blew some good in the end.

April 29, 2022
Chamber, Classical Music
Live Review

Review: Mystic Dances (Melbourne Recital Centre)

Inspired by Debussy, three musicians have teamed up to devise an entire program of seven short-ish pieces by Australian composers for viola, flute and harp.

April 27, 2022
Dance
Live Review

Review: Leap (Neil Gooding Productions)

A new dance entertainment choreographed by Amy Campbell has megawatts of energy but insufficient focus.

April 26, 2022
Classical Music, Orchestral
Live Review

Review: Dvořák’s New World (West Australian Symphony Orchestra)

A new work by Elliott Gyger, fearsome musicality from Paavali Jumppanen and a fond farewell to Leanne Glover made for a special concert.

April 26, 2022
Musical Theatre & Cabaret, Theatre
Live Review

Review: At the Crossroads (Dale Burridge Productions in association with Hayes Theatre Co)

After 25 years away from the stage, Dale Burridge makes a fabulous return in this funny, moving, entertaining cabaret show.

April 25, 2022
Theatre
Live Review

Review: The Deb (ATYP & Camp Sugar Productions)

This new, big-hearted musical by Hannah Reilly and Megan Washington offers a nourishing if simple beam of hope.

April 25, 2022
Chamber, Classical Music
Live Review

Review: Continuum (Omega Ensemble)

Time stands still as Omega weave their magic far from the madding crowd.

April 24, 2022
Classical Music
Live Review

Review: Mozart’s Clarinet (Queensland Symphony Orchestra)

Mozart’s much loved clarinet concerto brought skilfully to life in an enticing musical program by the QSO.

April 24, 2022
Classical Music
Live Review

Review: Scottish Inspirations (Sydney Symphony Orchestra)

Nimble footed Clerici and his old band make a last-minute detour to Scotland.

April 23, 2022

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