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Classical Music, Orchestral
Live Review

Review: Dvořák’s New World (West Australian Symphony Orchestra)

A new work by Elliott Gyger, fearsome musicality from Paavali Jumppanen and a fond farewell to Leanne Glover made for a special concert.

April 26, 2022
Musical Theatre & Cabaret, Theatre
Live Review

Review: At the Crossroads (Dale Burridge Productions in association with Hayes Theatre Co)

After 25 years away from the stage, Dale Burridge makes a fabulous return in this funny, moving, entertaining cabaret show.

April 25, 2022
Theatre
Live Review

Review: The Deb (ATYP & Camp Sugar Productions)

This new, big-hearted musical by Hannah Reilly and Megan Washington offers a nourishing if simple beam of hope.

April 25, 2022
Chamber, Classical Music
Live Review

Review: Continuum (Omega Ensemble)

Time stands still as Omega weave their magic far from the madding crowd.

April 24, 2022
Classical Music
Live Review

Review: Mozart’s Clarinet (Queensland Symphony Orchestra)

Mozart’s much loved clarinet concerto brought skilfully to life in an enticing musical program by the QSO.

April 24, 2022
Classical Music
Live Review

Review: Scottish Inspirations (Sydney Symphony Orchestra)

Nimble footed Clerici and his old band make a last-minute detour to Scotland.

April 23, 2022
Theatre
Live Review

Review: Light Shining in Buckinghamshire (Belvoir)

Despite the best efforts of the actors, Belvoir's production of Caryl Churchill’s 1976 polemic is a bewildering waste of time and talent.

April 20, 2022
Classical Music, Vocal & Choral
Live Review

Review: Bach: Mass in B Minor (Sydney Philharmonia Choirs)

Bach’s magnificent Easter offering is given its due reward by a crack team.

April 18, 2022
Classical Music, Vocal & Choral
Live Review

Review: St Matthew Passion (Melbourne Bach Choir)

The assured quality of Melbourne Bach Choir's performance belied the many pandemic-induced obstacles and sheer hard work it took to get there.

April 18, 2022
Theatre
Live Review

Review: Wayside Bride (Belvoir)

All the elements are there in Alana Valentine’s latest play, but Wayside Bride desperately needs further work to fulfil its promise.

April 14, 2022
Classical Music, Vocal & Choral
Live Review

Review: Handel’s Messiah (West Australian Symphony Orchestra)

Joseph Nolan leads a remarkable Messiah, which will be talked about in years to come.

April 14, 2022
Chamber, Instrumental
Live Review

Review: Bass Instincts (Alicia Crossley)

Recorder virtuoso Alicia Crossley presents the results of her commissioning project, presenting new works by some of Australia's finest female voices.

April 12, 2022
Vocal & Choral
Live Review

Review: Bach’s Easter Oratorio (Bach Akademie Australia)

The elite performers of Bach Akademie Australia gave voice to music which resonated with some of our most human and intensely held hopes, fears and joys.

April 11, 2022

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