Review: The Anarchy 1138–53 (Doppelgangster & KXT bAKEHOUSE)
Given the title and the content, giving this a star rating seems as crazy an exercise as the show itself.
Given the title and the content, giving this a star rating seems as crazy an exercise as the show itself.
Just a breath away in this Sydney micro-venue, but Shamray shows that poetry and strong hands know no boundaries.
Amy Herzog's drama about a single mom coping with a seriously ill child presented with a perfect bedside manner.
Ethereal majesty, cinematic power and childlike glee as Sigur Rós light Vivid’s candle.
Max Gillies interprets three short works by Jack Hibberd, Samuel Beckett and Anton Chekhov with mixed results.
Matthew Lutton's farewell production fails to fly, with Du Maurier's apocalyptic vision blurred by the immersive headphone experience.
An entertaining and intelligent program from Ensemble Q, with just the right mix of the comforting, the adventurous and the heartfelt.
New duo Bronzewing takes us on a mind-boggling musical time warp across nine centuries.
Coriole celebrates its silver anniversary with two days of musical gold.
World-class singing on a cattle station in the middle of the outback? Hearing is believing.
Four easing pieces for a world gone wrong from Omega Ensemble.
The Sydney Concert Orchestra finds its voice in a unique collaboration with the Russian Orthodox Male Choir of Australia that celebrates the Slavic spirit.
An uncommon occasion for budding opera singers to develop their chops in the baroque idiom.