Review: Beetlejuice the Musical (Michael Cassel Group)
Hats off to Eddie Perfect, who provides music and lyrics and plays the title role in this dementedly funny horror musical.
Hats off to Eddie Perfect, who provides music and lyrics and plays the title role in this dementedly funny horror musical.
Leaning too heavily on the humour in Harold Pinter's play allows tension to be overwhelmed by melodrama.
The second opera in Barrie Kosky’s Ring Cycle is darkly dramatic, suggesting the Earth has burned. Catch it at cinemas here.
In the elemental surroundings, Korean star Sumi Jo steals the show with a performance that takes root in the memory.
Conductor Elim Chan and British pianist Stephen Hough deliver a program packed with heart.
A technically accomplished celebration of women in contemporary music that could have taken a few more risks.
Conductor Alpesh Chauhan brings out the darkness and drama in the Melbourne Symphony Orchestra's deep dive of the fairytale genre.
Clear camaraderie, soulfulness and nuanced virtuosity to the fore as Selby and friends explore three rich chamber works.
Director Alexander Berlage and his cast, led by Amy Hack, do a brilliant job bringing this flawed show to life.
Good, good, good vibrations as theremin star Carolina Eyck and the ACO get on the same wavelength.
A brilliant Pamela Rabe performance gives us Winnie's indomitable spirit in the face of oblivion.
Top young musicians and some old hands of Baroque repertoire delivered a delightful snapshot of mid-18th century Vienna.
A black woman explores a colonial-era legend in this new play by Andrea James.