This momentous double bill was yet another must-see event in the opening weekend at the 2022 Adelaide Festival.

This memorable performance of Fauré's Requiem offered balm for the soul in these bleak times.

The program gave the combined orchestras of WASO and WAYO a unique opportunity to describe the sea in contemporary styles, as well as Britten's established depiction.

The MSO and its new Chief Conductor are still feeling each other out, but Jaime Martín's ebullient and dynamic presence can't be ignored.

Barrie Kosky’s stupendous onstage cavalcade (featuring performers from Russia and Ukraine) is a masterful meditation on the lunacy that drives civilisations to ruin.

The standing ovation and tears that greeted the world premiere of this oratorio about an infamous gay-hate crime are testimony for the need for such a work.

Music-making of a high order in a concert featuring Haydn, Mozart, Vanhal and Stefan Cassomenos.

This stage adaptation of Cassavetes' film is skilfully reimagined, but lacklustre performances counteract the building tension.

A Sri Lankan-Australian playwright drops some awkwardly funny truth bombs.

Black is the new orange in this important, though flawed, new play.

Justine Clarke gives an utterly remarkable performance in this heart-rending one-woman play.

This new production, co-produced with Joffrey Ballet, has finally arrived in Melbourne to the great excitement of the audience.