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Classical Music, Orchestral
Live Review

Review: New Beginnings: Season Opening Gala (Melbourne Symphony Orchestra)

The MSO has launched its 2022 season with an inspired program, led by its new Chief Conductor Jaime Martín.

February 26, 2022
Festivals
Live Review

Review: The Purple Rabbit (Strut & Fret/Adelaide Fringe Festival)

A misdirection of magicians empty the hat with a unique blend of illusory entertainment.

February 25, 2022
Classical Music
Live Review

Review: Lev Vlassenko Piano Competition Finals 2022

Expanded Lev Vlassenko piano competition adapts to the new world order but with the same message.

February 25, 2022
Chamber, Classical Music
Live Review

Review: Bernadette Harvey, Harry Bennetts & Miles Mullin-Chivers (Musica Viva Australia)

This stunning trio, who do not have a name yet, gave a sublime performance of music by Ravel, Beethoven, Grieg and Donald Hollier.

February 25, 2022
Theatre
Live Review

Review: 9 to 5 the Musical (Sydney)

The plot may be simplistic and cartoon-like but it's a feel-good musical with an important message, and the Australian cast delivers it in style.

February 25, 2022
Chamber, Classical Music, Festivals
Live Review

Review: 4 Greatest Classical B’s (Adelaide Virtuosi Trio/Adelaide Fringe)

The Adelaide Virtuosi Trio delivers a generous, if not perfect recital of chamber favourites.

February 25, 2022
Chamber, Classical Music
Live Review

Review: Fantasias (Ensemble Q)

Ensemble Q’s concert Fantasias soothed the soul, mixing styles and periods into a meditative, melodious whirl.

February 24, 2022
Theatre
Live Review

Review: Blindness (Donmar Warehouse/Adelaide Festival)

Blindness is an immersive, challenging theatrical experience performed by one of Britain’s best actors.

February 24, 2022
Classical Music
Live Review

Review: Eric Avery (Phoenix Central Park)

Avery's solo performance was hypnotic and completely entrancing, a mood reflected and enhanced by the incredible architecture of Phoenix Central Park.

February 24, 2022
Chamber
Live Review

Review: Australian String Quartet: Britten, Paterson and Beethoven (Utzon Room, Sydney Opera House)

Crack quartet shows off its new line-up to stunning effect

February 23, 2022
Theatre
Live Review

Review: The Who’s Tommy (Victorian Opera)

It's third time lucky for the long overdue Australian premiere of the classic rock opera.

February 23, 2022
Classical Music
Live Review

Review: A Homage, from Engagement to Peace (Arafura Wind Ensemble)

Arafura Wind Ensemble took the audience on a musical journey back to this remote northern town in the lead-up to and during the bombing of Darwin 80 years ago on February 19, 1942.

February 23, 2022
Chamber
Live Review

Review: Jonathan Paget & Darlington Quartet (Musica Viva Australia)

Delightful concert presents a well-crafted and genuinely interesting program, reflecting the startling depth of talent in chamber music currently on offer for audiences in Western Australia.

February 22, 2022

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