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Chamber, Classical Music
Live Review

Review: Classical Vienna (Melbourne Chamber Orchestra)

Music-making of a high order in a concert featuring Haydn, Mozart, Vanhal and Stefan Cassomenos.

March 4, 2022
Theatre
Live Review

Review: Opening Night (Belvoir)

This stage adaptation of Cassavetes' film is skilfully reimagined, but lacklustre performances counteract the building tension.

March 4, 2022
Theatre
Live Review

Review: Stay Woke (Malthouse Theatre)

A Sri Lankan-Australian playwright drops some awkwardly funny truth bombs.

March 3, 2022
Theatre
Live Review

Review: Orange Thrower (Griffin Theatre Company/National Theatre of Parramatta)

Black is the new orange in this important, though flawed, new play.

March 3, 2022
Theatre
Live Review

Review: Girls & Boys (State Theatre Company South Australia)

Justine Clarke gives an utterly remarkable performance in this heart-rending one-woman play.

March 2, 2022
Dance
Live Review

Review: Anna Karenina (The Australian Ballet)

This new production, co-produced with Joffrey Ballet, has finally arrived in Melbourne to the great excitement of the audience.

February 28, 2022
Dance
Live Review

Review: The Sleeping Beauty (Queensland Ballet)

Gold Coast audiences have embraced Queensland Ballet’s arrival at its new second home with a sell-out season of its most popular ballet at HOTA.

February 28, 2022
Classical Music, Vocal & Choral
Live Review

Review: Brahms Ein deutsches Requiem (The Song Company)

Pocket edition of Brahms’s great humanitarian masterpiece is still writ large

February 28, 2022
Jazz
Live Review

Review: Zela Margossian Quintet + Stu Hunter (SIMA Jazz: NOW Summer Festival)

An impressive performance by Zela Margossian’s quintet of the repertoire on their new album The Road is further evidence of Margossian’s rare talent as a pianist/composer.

February 27, 2022
Chamber, Classical Music
Live Review

Review: Four Seasons Reimagined (Camerata – Queensland’s Chamber Orchestra)

Tangos, banjos, seasons and surprises – oh my! Camerata's 2022 opener really impressed.

February 27, 2022
Classical Music, Orchestral
Live Review

Review: New Beginnings: Season Opening Gala (Melbourne Symphony Orchestra)

The MSO has launched its 2022 season with an inspired program, led by its new Chief Conductor Jaime Martín.

February 26, 2022
Festivals
Live Review

Review: The Purple Rabbit (Strut & Fret/Adelaide Fringe Festival)

A misdirection of magicians empty the hat with a unique blend of illusory entertainment.

February 25, 2022
Classical Music
Live Review

Review: Lev Vlassenko Piano Competition Finals 2022

Expanded Lev Vlassenko piano competition adapts to the new world order but with the same message.

February 25, 2022

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