This spectacular co-production of Halévy's 1835 opera couldn't have been grander, while offering a powerful reminder that everyone suffers when hate prevails.

David Williamson's Nearer The Gods is full of wit and wisdom, and an easy story to enjoy.

Anna Goldsworthy and Andrew Haveron combine Tolstoy and Beethoven to make a powerful statement about obsession and the objectification of women.

In a last minute addition to this year's Festival, Shamray and the ASQ gave an eloquent and refined performance.

Juliet & Romeo suffers from a confused concept, and unfortunately even the choreography and dancing are brought down by shallow writing and music.

An inspired concert series showcasing the foundations of the Classical era of music

The Ninth Wave is innovative, vigorous and cleverly contrived, with visions that will haunt you.

Across two concerts, Valve and Go showed how much extraordinary life and colour there is in Beethoven's cello sonatas.

This momentous double bill was yet another must-see event in the opening weekend at the 2022 Adelaide Festival.

This memorable performance of Fauré's Requiem offered balm for the soul in these bleak times.

The program gave the combined orchestras of WASO and WAYO a unique opportunity to describe the sea in contemporary styles, as well as Britten's established depiction.

The MSO and its new Chief Conductor are still feeling each other out, but Jaime Martín's ebullient and dynamic presence can't be ignored.