Review: The Bleeding Tree (Blue Room Theatre)
Director Ian Michael offers a raging, harsh new production of Angus Cerini's play with its clipped, repetitive poetry powerfully delivered by three women of colour.
Director Ian Michael offers a raging, harsh new production of Angus Cerini's play with its clipped, repetitive poetry powerfully delivered by three women of colour.
The Sydney Celebration Gala was not just a welcome surprise, but a reminder of what a truly world-class company we have, and how much we have to look forward to in 2022.
This latest iteration never rose above the moderately amusing, though many fans in the audience clearly enjoyed every minute.
The ASO's Festival of Orchestra got off to a thrilling start with a lively classical program designed for a broad audience.
This joyous, warm-hearted performance is just what we need in these not quite yet post-COVID times.
Baz Luhrmann's musical movie is reborn as a stunning stage production.
This interpretation is more about romance than horror, showing the legendary character’s quest for the ultimate love bite.
Bartsch's Merlyn Myer Commission, along with arrangements of selections from her solo classical/jazz hybrid albums, provides a subtle submergence in a range of lush lullabies and flowing lattices of chamber writing.
This is a silly play for the silly season, tipsily leaning to the left. If you go with the good intention to have good time, there's a very good chance you will.
Three performers delve into two eras in one superb concert.
Top choir cooks up a glorious feast of Bach’s magnificent six motets in one sitting.
This recital, which extended beyond opera and lieder to include musical theatre and Australian standards, was rapturously received.
An invigorating jazz performance with moments of genius that evoked a tremblingly gorgeous mystical realm.