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Chamber, Classical Music
Live Review

Review: Fantasias (Ensemble Q)

Ensemble Q’s concert Fantasias soothed the soul, mixing styles and periods into a meditative, melodious whirl.

February 24, 2022
Theatre
Live Review

Review: Blindness (Donmar Warehouse/Adelaide Festival)

Blindness is an immersive, challenging theatrical experience performed by one of Britain’s best actors.

February 24, 2022
Classical Music
Live Review

Review: Eric Avery (Phoenix Central Park)

Avery's solo performance was hypnotic and completely entrancing, a mood reflected and enhanced by the incredible architecture of Phoenix Central Park.

February 24, 2022
Chamber
Live Review

Review: Australian String Quartet: Britten, Paterson and Beethoven (Utzon Room, Sydney Opera House)

Crack quartet shows off its new line-up to stunning effect

February 23, 2022
Theatre
Live Review

Review: The Who’s Tommy (Victorian Opera)

It's third time lucky for the long overdue Australian premiere of the classic rock opera.

February 23, 2022
Classical Music
Live Review

Review: A Homage, from Engagement to Peace (Arafura Wind Ensemble)

Arafura Wind Ensemble took the audience on a musical journey back to this remote northern town in the lead-up to and during the bombing of Darwin 80 years ago on February 19, 1942.

February 23, 2022
Chamber
Live Review

Review: Jonathan Paget & Darlington Quartet (Musica Viva Australia)

Delightful concert presents a well-crafted and genuinely interesting program, reflecting the startling depth of talent in chamber music currently on offer for audiences in Western Australia.

February 22, 2022
Classical Music, Vocal & Choral
Live Review

Review: Two different portraits of Daniel Solander (Sydney Chamber Choir & The Marais Project)

Two different visions of Daniel Solander, Australia's first Swede.

February 22, 2022
Opera
Live Review

Review: Alice’s Adventures in Wonderland (Australian Contemporary Opera Co.)

ACOCo. has confidently emerged from the pandemic with an endearing family (or picnic-with-a-friend) opera, based on Lewis Carroll's famous story.

February 21, 2022
Chamber, Classical Music
Live Review

Review: Fireworks and Fury (Southern Cross Soloists)

James Wannan’s devilishly difficult execution seemed effortless on the viola, earning him MVP (Most Valuable Player) of the concert, with Konstantin Shamray coming a close second!

February 21, 2022
Opera
Live Review

Review: Otello (Opera Australia)

Opera Australia's Otello is a must-see, not only for the incredible vocal and musical forces on show, but to witness Yonghoon Lee’s history-making role debut.

February 21, 2022
Opera
Live Review

Review: The Magic Flute (Pacific Opera, Willoughby Symphony Orchestra)

This pocket-sized production was an ideal introduction to opera for the young, for opera neophytes and for those who seek an edited experience.

February 21, 2022
Classical Music, Orchestral
Live Review

Review: Soaring Heights (Queensland Symphony Orchestra)

QSO's first Maestro concert for 2022, featuring Brahms' Second Piano Concerto and Strauss's An Alpine Symphony, really did soar.

February 20, 2022

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