Delightful concert presents a well-crafted and genuinely interesting program, reflecting the startling depth of talent in chamber music currently on offer for audiences in Western Australia.
Two different visions of Daniel Solander, Australia's first Swede.
ACOCo. has confidently emerged from the pandemic with an endearing family (or picnic-with-a-friend) opera, based on Lewis Carroll's famous story.
James Wannan’s devilishly difficult execution seemed effortless on the viola, earning him MVP (Most Valuable Player) of the concert, with Konstantin Shamray coming a close second!
Opera Australia's Otello is a must-see, not only for the incredible vocal and musical forces on show, but to witness Yonghoon Lee’s history-making role debut.
This pocket-sized production was an ideal introduction to opera for the young, for opera neophytes and for those who seek an edited experience.
QSO's first Maestro concert for 2022, featuring Brahms' Second Piano Concerto and Strauss's An Alpine Symphony, really did soar.
This thoughtful show from the self-described "professional feminist" empowered the women in the audience – and hopefully enlightened the men.
We can all feel uplifted and united by Little Red’s world premiere celebration of female empowerment and artistic connection.
The production may not deliver on all fronts but you have to take your hat off to Amy Campbell for her ambitious concept, while Angelique Cassimatis gives a stunning performance.
You can't help but surrender to this transcendently titillating, bawdy and big-hearted celebration of the sexual and the sensual.
Rejoice, Melbourne music-lovers! The MBO has returned with an energetic and energising concert.
Australian soprano Anna-Louise Cole has just made her role debut as Turandot for OA – and what an impressive performance it was.
