Review: Bernhardt/Hamlet (Queensland Theatre)
This portrait of the trailblazing actress was also a meditation on misogyny and power in the theatre and beyond.
This portrait of the trailblazing actress was also a meditation on misogyny and power in the theatre and beyond.
Australian opera’s star couple reflected on their amazing careers and lives together with repertoire that inspired them in an intimate, well-presented and received recital.
An entertaining production of the bittersweet musical, which dissects a love story from beginning to end and back again, but there is more emotion to be found.
The legendary duo charm the audience with their mix of routines, old and new, while reminding us that what they do is not magic but a trick.
This masterful, heartwarming one-hander, performed by Jonny Hawkins, celebrates an elderly woman’s life and wisdom.
Rafael Bonachela’s monumental work from 2018 returns with mostly new dancers but the same impact.
History, continuity, thrilling music and the indomitable spirit of live music filled this concert as the orchestra moves to a new era.
This work may be small in scale, but it is a masterpiece that does justice to the father of modern science.
This production clearly fulfils choreographer Antony Hamilton's agenda to create images that help make sense of a wonky world.
The Australian Romantic & Classical Orchestra paired a great classic by Schubert with a lesser-known work by Eybler for a Viennese charm offensive.
Elena Carapetis's multi-media adaptation is supercharged drama of conscience.
At times during this stunning recital, Gillham played with such intimacy it felt as if the audience was eavesdropping on an artist playing for his own pleasure.
Composer Cyrus Meurant did not disappoint when he returned to the stage to perform his music with Andrew Smith and Kirsten Williams, in a display of artistic tenderness.