An attention to detail and a sophisticated handling of the entire spectrum of orchestral colours rendered this performance a triumph.

Luke Hewitt’s narration of his character’s growth from childhood to a battered but resolute middle age drives the show, with its list of brilliant things to fill your heart and mind.

Ian Sinclair's new play about humans and their pets moves between screwball comedy and increasingly surreal diatribes delivered by the feline protagonist.

Freeze Frame Opera’s Puccini double bill brilliantly reimagines Suor Angelica and Gianni Schicchi in an absorbing, unforgettable, and occasionally shocking, evening of opera.

The "tour of a lifetime" is pared back to a superb digital live one-off for Paul Dean’s new masterwork.

An intimate chamber concert featuring percussion and the brass and wind ensembles of the QSO made for a delightful afternoon program of well-crafted music.

The West Australian Symphony Orchestra was particularly impressive with its splendid performance of Brahms' heroic Symphony No 1 under the baton of Maestro Asher Fisch.

The ACO's fifth StudioCast presents some of their favourite repertoire – including Arvo Pärt’s Tabula Rasa – as you have never seen it before.

This new Australian play by Finegan Kruckemeyer provides thought provoking theatre about the fallout from a global warming solution.

Part Scandi-noir thriller, part Ancient Greek drama, Kaija Saariaho's Innocence makes for persuasive music theatre.

Former Chief Conductor Nicholas Braithwaite steps in and shows his relationship with the Adelaide Symphony is as strong as ever.

First performed by Steamworks Arts in 2001, the same actors reprise their roles in Alana Valentine's powerful play about emotional conflict.