Introduce yourself to Scottish Ballet via three new dance films in Marquee TV’s free Summer Shorts Festival.

Portraying scenes and places from around the world, Camerata’s Landscapes concert offered a mixed and not entirely successful musical program.

Oksana Lyniv and Asmik Grigorian play blinders in Tcherniakov's revenger's tragedy at Bayreuth.

La Boite’s CAESAR pulls apart not only Shakespeare’s text, but the process and shortcomings of theatre making itself.

Stars align for a stellar new work by an old master, composed for violin virtuoso Anne-Sophie Mutter.

While the classic musical still shines, the seething undercurrent of passion, frustration and aggression is generally lacking in this production, despite some powerful moments.

A magical VR realisation of the compelling music by William Barton and the Australian String Quartet.

Brahms' German Requiem performed by the Canberra Choral Society and National Capital Orchestra was a real blessing during these trying times.

This concert was a fabulous survey of the classical guitar in ensemble, with superb, effortless playing by Karin Schaupp.

This digital benefit concert, livestreamed by Melbourne Digital Concert Hall, was a terrific showcase of Brisbane's finest.

On the opening night of York, different elements were jostling for place. But perhaps that is the point. Australian theatre is unsettled and unsettling.

Despite the huge obstacles the 32 competitors faced, forced to record in pandemic lockdowns and restrictions, this year's Sydney International Online Piano Competition was a five-star marathon event.