Kunstkamer is a masterpiece and this production by The Australian Ballet exceeds all expectations, proving a triumph for AD David Hallberg and the dancers.

Despite strong performances, this update of Nijinsky's 1911 ballet only reinforces that the racial and sexual politics of the original are best left in the past.

Australia's first-ever period-instrument presentation of The Creation reveals the fresh vitality and range of colours in Haydn’s score.

Jodie Comer is riveting in the West End debut of Suzie Miller's bracing one-woman #MeToo monologue.

The Cooperative's no-frills Figaro gives the audience the opportunity to focus on musicianship and a libretto that is as relevant today as it was when it was written.

A merry band of young theatremakers breathes new joy into one of Shakespeare's zippiest comedies.

An inspired exercise in musical curation, expertly delivered.

Cracked clarinet was an ill wind that blew some good in the end.

Inspired by Debussy, three musicians have teamed up to devise an entire program of seven short-ish pieces by Australian composers for viola, flute and harp.

A new dance entertainment choreographed by Amy Campbell has megawatts of energy but insufficient focus.

A new work by Elliott Gyger, fearsome musicality from Paavali Jumppanen and a fond farewell to Leanne Glover made for a special concert.

After 25 years away from the stage, Dale Burridge makes a fabulous return in this funny, moving, entertaining cabaret show.