Review: The Miser (Bell Shakespeare)
Justin Fleming's writing is ingenious, but a pacier, more energetic production would heighten the play's impact.
Justin Fleming's writing is ingenious, but a pacier, more energetic production would heighten the play's impact.
Lise Lindstrom's potent Salome sweeps everything in her wake.
Trio Mediaeval and trumpeter Arve Henriksen offer a taste of how Vikings might have sung and composed.
A circus spectacular of acrobatic virtuosity.
Meryl Tankard's remarkable solo work from 1988 has been remade in exquisite fashion with prima ballerina Natalia Osipova now starring.
A thought-provoking journey through music old and new – and back again.
Nasi Voutsas and Bertrand Lesca's tense, comic two-hander draws the audience in and makes it complicit.
After a few initial distractions, a riveting performance with Richard Tognetti as conductor, director and soloist.
An immersive and magical experience where Chekhov meets Heysen.
The Sretensky Monastery Choir brings a powerful sound to sacred and secular Russian music.
Paul Kelly, James Ledger, Seraphim Trio and Alice Keath give us an evening of genre-blending bird songs.
William Christie's spirited revival of an antiquated artform proves there's life in Rameau's old dogs yet.
A dancer and a percussionist collaborate in an unusual duo, but the work still has more room to move.