Review: The Magic Flute (Komische Oper Berlin, Perth Festival)
A delightful production that is as intoxicating as Papageno's pink cocktail, while acknowledging the darker elements in Mozart's opera.
A delightful production that is as intoxicating as Papageno's pink cocktail, while acknowledging the darker elements in Mozart's opera.
A musically excellent, perceptively designed and directed production of Wagner’s final opera.
Luke Styles’ strong score is impressive in this new chamber opera, though the storytelling could be developed.
A vibrant and eclectic blend of two contrasting cultures to create a unique and exhilarating concert.
Gulliver upside down and inside out – a Lilliputian tale with a big heart.
Games by Henry Naylor is a powerful intrigue based on a true story.
Proof, should it be needed, that music truly does transcend time and space.
Intriguing and enjoyable – but more jam session than show.
Queensland Theatre opens its 2019 season with an unforgettable production of Arthur Miller’s award-winning classic.
Omega Ensemble's intimate launch with a trio of trios.
Britain’s renowned Baroque ensemble cut to the musical chase of Purcell’s semi-opera, with beautiful if not Arthurian results.
A zany, satirical take on the Victorian gothic romance, with overt nods to the Brontë sisters.
QSO's first concert for 2019, with pianist Paul Lewis, lives up to its name.