Review: Zizanie (Adelaide Festival, Meryl Tankard & Restless Dance Theatre)
A delightful, mischievous, intoxicating celebration of difference.
A delightful, mischievous, intoxicating celebration of difference.
A deeply moving dance work about humanity’s decline.
D'Arietta's Cohen was a safe, satisfying journey rather than a ride.
The cast give it their all, but the sketchy show is no musical holy grail. Still, it’s a lot of fun.
Italian violinist Lorenza Borrani delivers a fiery, otherworldly concert with the ACO.
More a musical pavlova than a croquembouche, but tasty nevertheless.
The “sorceress of percussion” enchants a capacity crowd in a concert of Australian music.
Kate Mulvany is brilliant in this raw but heartfelt, life-affirming show.
A work that allows contemplation of ownership and belonging; of land and waterways.
Ellen Burstyn and a high-calibre Australian cast explore life, death and Beethoven.
An intricately composed dance work featuring an intelligent cast.
Vocally and emotionally, you longed for the depth of the man himself, but that was just plain unreasonable.
Seamless, vital performances that speak to the long-standing relationship between Daniel Harding and the musicians.