Review: Half Time (Nineteen 98 Productions, Hayes Theatre Co)
Senior citizens cut a rug in this musical about growing old disgracefully.
Senior citizens cut a rug in this musical about growing old disgracefully.
The Australian Ballet returns triumphant with a fresh take on 20th-century canon.
Sydney Philharmonia Choirs' lost season is resurrected by the power of the Passion.
Quickly adjusting its program because of COVID, Jessica Cottis conducted a starry performance, with music ranging from the majestic to the witty to the light-hearted.
Emily Granger and Joshua Batty headline a delightful evening of art, wine, conversation and music at the Ken Done Gallery.
Duruflé's Requiem and Bach's Easter Oratorio were conducted with uncomplicated authority by Joseph Nolan.
With Richard Tognetti and his players embracing change, Bach and the Beyond certainly feels like a taste of things to come.
Rowell and the MSO make an ideal match for Sutherland's epic concerto.
With its luxury vocal and instrumental casting, and sublime performance, the return of Bach Akademie Australia is very welcome.
Tennyson and Strauss meet in Brisbane Music Festival’s unusual narrative experiment.
This fine, semi-staged production from State Opera South Australia, starring Ben Mingay as Billy Bigelow, shows why Carousel was such a groundbreaking show.
This concert by the Australian Chamber Orchestra represents a statement of intent, a step on the road to cultural revolution.
The Australian cast more than rises to the occasion with a stunning production of Lin-Manuel Miranda's groundbreaking musical.