Review: Fauré Requiem (Australian Chamber Choir)
The ACC's foray into Fauré, taking in Brahms and Tavener on the way, marks a welcome return.
The ACC's foray into Fauré, taking in Brahms and Tavener on the way, marks a welcome return.
Francesco Ventriglia makes an exciting entré into the Sydney dance scene with the world premiere of GRIMM by the newly formed Sydney Choreographic Ensemble.
Pitched to "women of a certain age", Debra Oswald's solo show will deliver a fine time for many, but could do with a bit of a trim.
An awe-inspiring event from the Queensland Symphony Orchestra, with Joseph Nolan pulling out all the stops.
A heart-warming, inclusive event with great potential as a model for integrating music and social change.
Canberra's new National Opera makes an impressive debut with a handsome production and some mouthwatering vocal artistry.
A roundly entertaining and sumptuous-looking comic foray into the false calls of nostalgia.
Hail to the sing for the Australian Vocal Ensemble’s glittering launch.
A thrilling, tantalising theatrical adventure through an Elsinore very different to Shakespeare’s.
Sublime moments were there for the taking at this year's Four Winds Festival, as strangers became friends.
Senior citizens cut a rug in this musical about growing old disgracefully.
The Australian Ballet returns triumphant with a fresh take on 20th-century canon.
Sydney Philharmonia Choirs' lost season is resurrected by the power of the Passion.