A memorable Ravel treat and some angelic violin from SSO favourite Arabella Steinbacher.

This year's Festival of Voices gets off to a sublime start with choirs from New Zealand and Spain and a return visit from Germany's Sjaella.

David Harrower's powerful play depicts an arousal of dormant feelings that are uncomfortable for an audience to witness, let alone understand.

Golden moments as ACO brings substitutes off its talent-packed bench for this 50th birthday bash.

A dramatic depiction of a potential friendship breakup gives way to a very Gen-Z look at meme culture and micro-aggressions.

Finland's rising star conductor Emilia Hoving shines in her TSO debut.

Heroic feats of design and direction abound in this impressive production, tackled by a game and acrobatic cast.

The largest instrument of its kind in the southern hemisphere – truly a "Wondrous Machine" – gets a thorough celebratory workout.

There are endings and something of a beginning hovering around Queensland Ballet’s Triple Bill.

Groundbreaker Eric Whitacre shows us Zen and the wonderful art of polyphonic maintenance.

A couple hoping to assuage their grief order a brand new child online. But this flat-packed version of the perfect son is not quite what they hoped.

The Fab Four of the Australian chamber scene – plus special guest – slay in a program of Beethoven, Shostakovich and Schumann.