Review: John Keene plays Bottesini and conducts FCO (Fremantle Chamber Orchestra)
An entertaining afternoon of music led by multitalented conductor and double bass soloist John Keene.
An entertaining afternoon of music led by multitalented conductor and double bass soloist John Keene.
A great night and a much-needed spark of hope for less troubled times ahead.
The Orava Quartet offers up an evening of drama and emotional depth in Hobart.
The West Australian Opera production of Rossini's exuberant opera is full of comedic energy from start to finish.
Kammerklang returns to its home ground with a diverse and exploratory concert of new Australian works.
The ACC's foray into Fauré, taking in Brahms and Tavener on the way, marks a welcome return.
Francesco Ventriglia makes an exciting entré into the Sydney dance scene with the world premiere of GRIMM by the newly formed Sydney Choreographic Ensemble.
Pitched to "women of a certain age", Debra Oswald's solo show will deliver a fine time for many, but could do with a bit of a trim.
An awe-inspiring event from the Queensland Symphony Orchestra, with Joseph Nolan pulling out all the stops.
A heart-warming, inclusive event with great potential as a model for integrating music and social change.
Canberra's new National Opera makes an impressive debut with a handsome production and some mouthwatering vocal artistry.
A roundly entertaining and sumptuous-looking comic foray into the false calls of nostalgia.
Hail to the sing for the Australian Vocal Ensemble’s glittering launch.