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Classical Music, Orchestral
Live Review

Review: John Keene plays Bottesini and conducts FCO (Fremantle Chamber Orchestra)

An entertaining afternoon of music led by multitalented conductor and double bass soloist John Keene.

April 23, 2021
Supported by City of Sydney

Review: Higher Angels (Australian Brandenburg Orchestra)

A great night and a much-needed spark of hope for less troubled times ahead.

April 22, 2021
Chamber, Classical Music
Live Review

Review: Orava String Quartet (Musica Viva Tasmania)

The Orava Quartet offers up an evening of drama and emotional depth in Hobart.

April 22, 2021
Opera
Live Review

Review: The Barber of Seville (West Australian Opera)

The West Australian Opera production of Rossini's exuberant opera is full of comedic energy from start to finish.

April 20, 2021
Supported by City of Sydney

Review: Vestige: A Hidden Curiosity (Kammerklang)

Kammerklang returns to its home ground with a diverse and exploratory concert of new Australian works.

April 19, 2021
Classical Music, Vocal & Choral
Live Review

Review: Fauré Requiem (Australian Chamber Choir)

The ACC's foray into Fauré, taking in Brahms and Tavener on the way, marks a welcome return.

April 19, 2021
Dance
Live Review

Review: GRIMM (Sydney Choreographic Ensemble)

Francesco Ventriglia makes an exciting entré into the Sydney dance scene with the world premiere of GRIMM by the newly formed Sydney Choreographic Ensemble.

April 17, 2021
Supported by City of Sydney

Review: Is There Something Wrong With That Lady? (Griffin Theatre Company)

Pitched to "women of a certain age", Debra Oswald's solo show will deliver a fine time for many, but could do with a bit of a trim.

April 14, 2021
Classical Music, Orchestral
Live Review

Review: Enigma (Queensland Symphony Orchestra)

An awe-inspiring event from the Queensland Symphony Orchestra, with Joseph Nolan pulling out all the stops.

April 12, 2021
Supported by City of Sydney

Review: A Space of One’s Own (Dreambox Collective)

A heart-warming, inclusive event with great potential as a model for integrating music and social change.

April 12, 2021
Opera
Live Review

Review: La Clemenza di Tito (National Opera)

Canberra's new National Opera makes an impressive debut with a handsome production and some mouthwatering vocal artistry.

April 12, 2021
Supported by City of Sydney

Review: Home, I’m Darling (Sydney Theatre Company)

A roundly entertaining and sumptuous-looking comic foray into the false calls of nostalgia.

April 12, 2021
Classical Music, Vocal & Choral
Live Review

Review: Launch concert (AVÉ – Australian Vocal Ensemble)

Hail to the sing for the Australian Vocal Ensemble’s glittering launch.

April 12, 2021

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