Review: Dry (Stateside, State Theatre Company South Australia)
Catherine Fitzgerald's play evokes a dark and dusty struggle for survival against the odds.
Catherine Fitzgerald's play evokes a dark and dusty struggle for survival against the odds.
Hypocrisy, fallibility and misinformation collide in this poignant, divisive and turbulent satire that entertains and challenges in equal measures.
A thrilling tri-lingual production reimagining Shakespeare’s tragedy in the Torres Strait.
This concert was an unmissable hour to honour our finest chamber group, featuring two family favourites as belated anniversaries were celebrated with a live audience.
This delightful, technicolour-bright production is wonderful, light-hearted entertainment, and just what we need right now to lift the spirits.
These players in Pharos understood the key to playing great jazz: an invulnerable attachment to the spirit of the music, and the ceaseless tenacity to explore the full range of human dynamics through intuitive collaboration.
An uplifting performance celebrating life through the music and times of JS Bach
Kendall Feaver’s densely layered, provocative and sobering new play demands discomfort and discussion.
Little Red’s musical formula for feel-good fun hits the right note for these testing times.
Terence Blanchard’s important new work is gut-wrenching, but it’s also uplifting.
In an evening of vibrant music spanning centuries and genders, an intimate crowd congregated at Mecca Cafe in Alexandria to witness the unusual yet playful combination of Claire Edwardes' five-octave marimba and Nick Russoniello's soprano saxophone.
Golijov's Three Songs for Soprano and Orchestra, with Sara Macliver as soloist, was the highlight of a wonderful concert that also featured music by Prokofiev and Sibelius.
Mitch Harvey performs the inaugural production for his new company, an immersive work set in a futuristic dystopian world.