Review: Rent (Sydney Opera House)
Shaun Rennie's production finds its emotional groove in the second act when the musical itself gives the characters more room to breathe.
Shaun Rennie's production finds its emotional groove in the second act when the musical itself gives the characters more room to breathe.
As part of her remarkable Density 2036 project, extraordinary flautist Claire Chase gives the world premiere of a work by Liza Lim in New York.
A solid cast and a few bursts of genuine laughter could not firm this limp, over-extended play.
A marvellous adaptation of a heart-warming tale for our times, brilliantly recreated by shake & stir theatre co.
An improvisational powerhouse pushing the limits of jazz, blues, and middle eastern music, live and intimate at the Utzon Room.
A delightful, soothing recital of music that traces the trajectory of the art song over the last 120 years.
The Australian Brandenburg Orchestra rings in the holiday season with a plethora of warm Christmas treats.
An interesting program of classical traditional Christmas music from Europe and America performed in a glorious setting.
Vengeance and resolution, exorcism and benediction, this excellent new production captures the visceral drama of Angus Cerini’s remarkable play.
In transferring the much-loved film to the stage some of the magic has been lost, though Elsa's Let It Go is spell-binding.
Graced by a uniformly excellent cast, Kate Champion’s assured directorship, bounteous humour, and an evocative, finely toned production, Kendall Feaver's adaptation of My Brilliant Career is, in a word, brilliant.
An early Christmas miracle sees Queensland end the year with full capacity theatres and an unexpected taste of The Nutcracker’s family tradition.
The Golem is a stupendous piece of theatre.