Vengeance and resolution, exorcism and benediction, this excellent new production captures the visceral drama of Angus Cerini’s remarkable play.

In transferring the much-loved film to the stage some of the magic has been lost, though Elsa's Let It Go is spell-binding.

Graced by a uniformly excellent cast, Kate Champion’s assured directorship, bounteous humour, and an evocative, finely toned production, Kendall Feaver's adaptation of My Brilliant Career is, in a word, brilliant.

An early Christmas miracle sees Queensland end the year with full capacity theatres and an unexpected taste of The Nutcracker’s family tradition.

The Golem is a stupendous piece of theatre.

Two vastly different song cycles sung with nuance and flare by two very capable young singers in an intimate recital.

Comfort and joy from Pinchgut Opera, in a Christmas concert of interweaving colours and enchanting hues.

The Australian Voices finally return with a dazzling showcase of nine new works.

Staged as if in a circus big top, this exhilarating, magical production thrills and delights at every turn.

An enormously enjoyable production that recalls the madcap experiments with musical theatre launched out of the 1970s Australian New Wave theatre movement.

WASO brings its best to the table with a mighty yet relaxing performance.

Kip Williams' dazzling stage adaptation of Oscar Wilde's gothic melodrama, brilliantly performed by Eryn Jean Norvill, speaks to the here and now.